‘The Superstitions of Witchcraft’ is designed to exhibit a consecutive review of the characteristic forms and facts of a creed which (if at present apparently dead, or at least harmless, in Christendom) in the seventeenth century was a living and lively faith, and caused thousands of victims to be sent to the torture-chamber, to the stake, and to the scaffold. At this day, the remembrance of its superhuman art, in its different manifestations, is immortalised in the every-day language of the peoples of Europe.