VICTOR GOODENOUGH was shown at once into the studio where Santley was painting the Moncrieff twins.He was a tall, broad-shouldered man in the middle thirties, who looked as though he would do anything efficiently to which he set his hand-a well-kept, muscular hand, browner even than his face, and with the palms calloused by the swinging of golf clubs. He was a “plus” man.
